'Talent has no religion. There will be people who will criticise me, but if I take them seriously, I won't be able to do a lot of things in my career.' Pakistani actress Humaima Malick gets ready for Bollywood success.
'Yes, my son will watch Raja Natwarlal. I'll just cover his eyes when the kissing comes around so that he doesn't go, 'Wait, that's not mom,' Emraan Hashmi gets candid with Sonil Dedhia.
Alok Nath recount his memorable experience of working with Sir Richard Attenborough in Gandhi.
Katiyabaaz is as riveting and gritty as it is wildly funny at times; a must watch, says Sonil Dedhia.
Hercules has its moments, says Paloma Sharma.
The film could have been shorter and better written. However, it isn't exactly bad the way it is
Lucy could have used more action and a better soundtrack, feels Paloma Sharma.
It becomes quite clear early on in Planes 2 that it was made in order to keep the franchise alive, says Paloma Sharma.
Begin Again speaks to the viewer like few films have, says Paloma Sharma.
The film falters on many coutns, says Paloma Sharma.
Dawn of the Planet of the Apes rises above all its predecessors, says Paloma Sharma.
Bobby Jasoos works only because of Vidya Balan and the strong supporting cast, says Paloma Sharma.
The Fault In Our Stars exists merely for the purpose of being soppy and pleasing the already existent fan base, writes Paloma Sharma.
We asked Mumbaikars a few simple questions about the football World Cup. Here are their - in some cases, rather unexpected - answers :))
A Million Ways To Die In The West could have done better with more editing and less Seth McFarlane, says Paloma Sharma.
Heaven is for Real is a well scripted drama that manages to warm your heart, but its religious undertones are a bit annoying.
Grace of Monaco is a shoddily written film, says Paloma Sharma.
Filmistaan has a strong plot and well-developed characters, says Paloma Sharma.
What makes The World Before Her stand out is that it has the courage to ask what nobody else does: who is the Modern Indian Woman? Paloma Sharma reviews the film.